Already cutting a rather singular path through the psych strewn landscape, here they cement themselves as leaders of their own continually evolving space.
9th Incarnation shows what experience can do for you when you make a debut album, but also that there is such a thing as modern psychedelia.
This cracking blend of post-metal and post-hardcore from Mollorca shows that living in a warm climate doesn’t necessarily make you worry free.
Haven is one of those projects that doesn’t hold much promise on paper but brings along quite several musical pleasures to a daring listener.
Suspended in Reflections is a really stunning piece of work, it’s dense, multi-layered and full of twists and turns. Patient in pace, occasionally exploding but it’s never overused. The band really show some musical talent, adding organ, strings and piano to what in places might be more straight forward post-metal.
It is challenging, complexity, surreal, twisted, and transcendental. Lost Crowns’ Every Night Something Happens is a great introduction to start 2019 off.
Foghound honour their fallen comrade – Rev. Jim Forrester R.I.P. – with an album packed full of riffy urgency and tight-but-loose ferocity.
Toronto dream-pop four-piece Tallies craft a debut which is engaging in parts and frustratingly familiar in others.
V2 – Vergelding is a soundtrack to the fall of civilisation. Listen with tongue firmly in cheek.
Like quite a number of mountain roads, diatribe’s dub to the avant-garde trip was riddled with possible potholes, but these guys effectively escape them quite admirably.
Edinburgh’s Pilotcan release their first album in 14 years and it’s well worth the wait.
Has the demo stood the test of time? Absolutely. Mortiis manages to be simultaneously ahead of his era and lingering in the deep past, so this recording will always sound both fresh and ancient. This ghost’s song will be remembered for a long time to come.
An Abandoned Orchid House is like a flower bursting into bloom in real time.
This album is a thing of excellence, musically inventive and diverse, lyrically insightful it superbly critiques dystopia-in-the-making Britain in the 21st Century while also taking time to recognise both (global) interconnections and the struggles of individuals trying to construct meaningful, positive selves in an impoverished cultural landscape.
It is difficult to know where to start with a body of work as intimidating and weighty (not to mention heavy) as this. It is phenomenally affecting and the title alone makes the listener think about the gradual destruction that humans are inflicting on the earth.
(((O))) EXCLUSIVE STREAM