Part avant-garde, part free jazz, and part contemporary classical music, Mountain Call is among the most ambitious projects in Miroslav Vitouš’s distinguished career.

Mourir don’t overstay their welcome, but they call for a level of commitment albums in this vein rarely earn from me. This one did, snapping back and stinging exactly as much as I needed it to.

It is one of those albums that unveils its subtleties with every new play, making Izzy Oram Brown rightly stand close to the top of the current singer-songwriter crowd.

Can music be beautiful if, instead of emotion, it offers the listener emptiness? At first glance, The Moth sounds like slowcore, but it does not quite behave according to the genre’s rules.

Bridge to Resolution is not an easy listen, but it isn’t meant to be. It’s a stunning, ominous, and deeply personal debut, revealing a side of Shane Embury that has long existed beneath the surface.

Witchsorrow have turned a cult following into something bigger as the songs on The Devil And All His Works are monetised and perfectly executed examples of prime doom metal.

It all gives her music that specific, individual touch needed to make her music work and ultimately be a drawing factor for listeners.

This album is bursting with great songs and has an almost playful atmospheric amidst the doom. Trip Meadow is a mighty fine debut!

Each return visit reveals new details hidden beneath its surface, whether in the subtle interactions between the musicians, the carefully layered textures, or the gradual evolution of its sprawling soundscapes.

Years from now, when many records have faded from memory, this one will still be lurking in the shadows, daring listeners to enter its world once again.

This beautiful hymnal to the animal kingdom is one of the finest produced albums I think I have ever heard from the instrumental genre. Glorious.

These are stories where consequences linger, where revenge schemes twist into moral reckoning, and where every shadow feels alive.

From the rabid passion of Oathbreaker to the metal heft of Harakiri For The Sky, Stenahoria is a riveting collection of doom tinged progressive metal.

By choosing to go with the broader concept of recording ‘outside’, i.e., a regular, fully-equipped studio, Radford was able to hit on the sweet mood music spot that many other artists quite often miss.

This album isn’t a destination. It’s ignition. And whatever they launch next is going to be bigger, bolder, and even more gloriously unhinged.