(((O))) Category: Reviews
Unsettling Whispers is multi-dimensional and multi-generational black metal at its pinnacle of wonder. Flawless.
‘Redux’… seems to call out to comrades in loss. It extends a hand, an arm, a shoulder and whispers that you too can be pulled through this period and, in taking that hand, you will also help with the weight that seems so essential to her sounds. She wants us to know that, from this dark state, light can be found and it can be reached. And we can go on this journey together.
The attention to detail on this and all of Moser’s releases is what draws me into his music, with each listen I learn, hear and feel something new.
In essence, for Borderlands, The Myrrors may have conjured all those Zabriskie Point soundtrack spirits, but they have mixed all those sounds up, and like the Arizona sand, have thrown it up in the air and let it hang out there. Slowly.
Like riffs? Melody? Albums with a mammoth on the cover? You’re in luck. This strikes a perfect balance between heavy and crowd-pleasingly melodic.
In an era where there is so much generic, recycled ‘heavy’ music such an album is a refreshing change, hard to define, musically ambitious and well done.
Claw Marks take a cracked bucket and mix filthy garage punk with noise rock and stir in matted tales of the uncanny and unwholesome.
This is great. From the visceral thump that introduces the opening track to the barrage of the final number, it is a heartfelt, if occasionally bleak, listen.
It threatens to build into something explosive, something soaring but, like an MDMA-fuelled orgasm, the payoff seems to always be just out of reach.
Exactly what progressive metal should be: open-minded, fearless, genre-expanding. Escape has groove, heaviness and a delicious darkness.
That New York vibe is very much a part of the band’s sound/feel. It’s brutal, harsh, uncaring, but also very smart and somewhat irreverent.
Papa M is able to conjure exactly the musical theme and images he sets out to do, probably the hardest thing to do with this kind of atmospheric music.
A blackened doom whirlwind which will punish all who stand too close, a way for the band to re-grease the gears of their evil war machine and get their teeth back into the jugular of the underground metal scene.
On the whole, ST 37 is a good listen and ticks the requisite boxes for providing a tripped out experience. Certain moments do let the album down though, and for all its various nuances, it remains an album of blustering noise.
There are few bands this long into their career that can even remember why it is they started making music in the first place, let alone constantly searching for new sounds. Oh Sees are an anomaly, and continue to release albums which continue to test.
For Wolfhounds fans the complete John Peel sessions is an essential purchase as it offers the chance to hear some hidden gems, unreleased tracks, and arguably, better versions of firm favourites.
Satisfying my interest for great progressive metal by adding sludge and atmospheric qualities, I can’t help but succumb to those elements when performed by these talented musicians.
LA prog metallers Redemption return with a new vocalist and their best album in almost a decade.
All Good Wishes is a much more grown up than Season Sun. It’s good to see the band build on that excellent debut and continue to push forward with Gulp music. That they can exist alongside Guto’s day job is cause for celebration too, although with the lack of original music coming from that direction, we can only have cause for celebration that we get more Gulp.
Former Black Crowe Rich Robinson’s Magpie Salute deliver on the promise of their live debut with the first batch of all new material on High Water I.
In the end that is all you can ask from a debut album, some great tunes, and a promise of something special unfolding. We will keep a psychedelic eye on these guys.