(((O))) Category: Live
It’s probably because I come to this as a metaller rather than a clubber or a gamer that I’m intrigued about exactly how this will operate in the live environment. Metallers are used to standing and watching the band, maybe moshing a bit. Clubbers are used to dancing, chatting and occasionally giving props to the DJ for dropping a massive tune. So how will the two mix, in the Underworld, on a wet rainy Wednesday?
With a bit of delay, here is Sander van den Driesche’s review of the recent Roadburn Festival.
Technical glitches aside this was a triumph for Gojira, playing a packed Academy to a rapturous reception.
Haru Nemuri draws from the wax of classic hip hop, spitting emotion, and hazy dreams to a warm turntable in a similar way to dälek or Melt-Banana. This is pop music for the weird generation; Britney Spears for the vaporwave crowd.
After the final waves of feedback and noise faded away I felt as I had just witnessed something incredible special; and even though I know they have put in hundreds of performances, the setting made this one almost transcendent.
Therein lies the magic of Miss Holter; hers is the voice of dreams, who effortlessly show the way through the majestic gardens of Alice’s Wonderland . . . as though we’ve always belonged in these strange new places.
The second evening of our grim summer of love at La Villette Sonique switched things up with some cutting edge talent from the alternative hip-hop scene. Most exciting of all was the long-awaited return of the psychotic rhyme-clown known as Danny Brown, promoting the acid-laced fever dream that is Atrocity Exhibition. . .
Top-notch psychedelic music abounds as Gong and Ed Wynne’s tour stops in Bristol, where even sound issues can’t dampen the vibe.
My first rendezvous was the lovely Cabaret Sauvage, set right along the Ourq canal running through the park, for an evening dedicated to ambient and experimental sounds. . .
Sœur are an unconventional band (dual guitars and vocals and drums with no bass) with an unconventional approach to songwriting; however, it just all sits perfectly together.
Corin Tucker, Peter Buck and their Filthy Friends put on an Indie rock masterclass at North London’s Garage.
This is a living, breathing kaleidoscope, a swirl of colour, shape and sound. For a band who embody that on record anyway, tonight they have truly outdone themselves.
Still standing after 25 bands and an inestimable number of beverages, Jamie Jones makes a definitive din for Cardiff’s second Psych & Noise Festival. . .
Ezra Furman is a spectacular performer and an incredibly humble and passionate musician . . . it is clear he can do it all when it comes to live music.
The tunes tumble past at a pace, all short, sharp and shiny. There’s a few broken hearts and hurt feelings in there but Ex Hex aren’t really about the introspection, they’re about escape and the healing power of rock ‘n’ roll.
Green Lung storm to a triumphant album launch party at Camden’s Our Black Heart.
From the first track the music is controlled intensity, constructed to achieve an objective, form follows function. The crowd at Studio 9294 must be predisposed towards the message Test Dept are sending to be here, understand its importance, or they couldn’t endure this bombardment of the senses. . .
The Sunday finale featuring Witches past and present, the Devil’s whiskey-soaked blues, and not-of-this-world riffage cement why we love this festival!
Riverside are a band on top of their game, turning in a top notch, professional trawl through their new album and back catalogue to a delighted Bristol audience.
Saturday’s Desertfest brings the noise in celebratory and triumphant fashion.
Chris Ball and Andy Little Zig-Zagged their way between Blackwater and spilled beer to capture their thoughts on Desertfest Friday with a Wovenhand…