Articles by Steve Fallows
It doesn’t become too political and lose its calm laid back vibe, more like it just wants everything else in the world to be as cool and laid back as this record is.
Allfather are obviously a band that that are comfortable in their sound and happy to explore different ideas with no pressure of fitting in with any trend, and this really gives the album an added sense of authenticity. Easily one of the better metal albums you will hear this year.
Each member of the band bring some amazing skills with them which allows them to fully get into the spirit of the show and play their part accordingly.
Another special live package of a special show of an album that gives the first hints of where his musical future was to lie.
An interesting collection of song, some of which I’d totally forgotten about and, as on the whole it’s quite different to his other band, it was refreshing and given me the need to go back and check the albums out in full again. Different, and all the better for it.
It’s great to see two British bands really pushing on to bigger things, and hopefully it won’t be too long before they both see a return on their efforts.
…the show was (for the most part) up there with anything I’ve seen over for a long while. The band were on great form, the crowd were lapping it up, and the connection grew stronger as the show went on.
A great set, that showcases the breadth and quality of the material the band have performed over their near 45 years.
Whereas some of these out takes releases can be lazy and a quick and easy cash in, this is a document of the last decade and a half of one of extreme metal (and music in general in my opinion) most important bands.
Genuinely one of the most unique and talented rock bands this country has produced, it’s a pleasure to see them back and on such good form.
They have one of the most consistently strong back catalogues in the scene today, and a show which backs that up and more.
All in all, its just what you would expect from an Autopsy release, just with a few little twists and turns along the way.
Ironically, at that point there were so many different bands – not everyone had gone down the path of sounding like Darkthrone, looking like badgers and posing in the woods with sticks. It was already quite expansive back then. Anyone that was of any note sounded completely different.
I know the whole ska-punk scene is Marmite to a lot of people; but if you are on the side of loving it, then Reel Big Fish are a top live band; and behind the humour, they are a group of really talented musicians, as the brass section solos proved.
For the most part, people are fucking rubbish; but there are a lot of good ones, and a lot of the good ones you will meet are because of music. A love of music introduces you to a better type of person than a love of football or cars.
There is a lot there for people who do get it and have maybe spent a long time immersing themselves in Justin Broadrick’s work, but there is something here for people that maybe haven’t connected as much with them before.
Steve Fallows managed to grab a few words with Implore guitarist Pedro to find out a bit more about the band’s first album for Century Media Records and how this multinational band came together.
Headliners Abhorrent Decimation seem to have gone from strength to strength. . . The new line up, crammed into the small Star & Garter stage power through a brutal set that gives an extra edge to the new material.
Steve Fallows managed to grab a few words with Ash Scott and Dave Archer from Abhorrent Decimation to ask about the new album, the new deal with Prosthetic Records and what this means for the future of the band.
When Life Of Agony played in the UK recently, Steve Fallows caught up with guitarist Joey Z to ask him about their new record, their comeback and on being outsiders despite having connections to many different scenes.
A great band on great form on a night that just didn’t seem long enough.