Articles by Steve Fallows
An absolute brute of a release for a debut, and it’s a pity that it has taken as long for something to appear. I can only hope that the next release isn’t that far away, as this is something I need to hear a lot more of.
Albums like this should come with a warning. When playing this record, make sure that breakables and the more fragile humans in your household are well out of reach.
There are some really catchy hooks, thrown in with the depressive tones and also that famous Type O dark humour that takes the album away from becoming too serious and within itself.
The band have become more and more pissed off with the way the world is and have used this to fuel the aggression in their music, rather than simply trying to raise the bar from the last record.
We wanted to do some recording with Jeff because he’s a great songwriter, so when we in the middle of recording A Walk With Love & Death we had Jeff come out and record an EP full of songs. As that went along, we thought “What would it be like if we got Jeff and Steve on an album?” And from the moment they both plugged in we were like “oh fuck yeah, let’s do this”.
Mudhoney have been a massively overlooked band since their 90’s heyday, but they have kept releasing consistently good music and this is no exception.
What were once albums full of youthful angst, now have transitioned seamlessly into frustrated adulthood and middle age and a “haven’t got time for your shit” attitude…
It doesn’t become too political and lose its calm laid back vibe, more like it just wants everything else in the world to be as cool and laid back as this record is.
Allfather are obviously a band that that are comfortable in their sound and happy to explore different ideas with no pressure of fitting in with any trend, and this really gives the album an added sense of authenticity. Easily one of the better metal albums you will hear this year.
Each member of the band bring some amazing skills with them which allows them to fully get into the spirit of the show and play their part accordingly.
Another special live package of a special show of an album that gives the first hints of where his musical future was to lie.
An interesting collection of song, some of which I’d totally forgotten about and, as on the whole it’s quite different to his other band, it was refreshing and given me the need to go back and check the albums out in full again. Different, and all the better for it.
It’s great to see two British bands really pushing on to bigger things, and hopefully it won’t be too long before they both see a return on their efforts.
…the show was (for the most part) up there with anything I’ve seen over for a long while. The band were on great form, the crowd were lapping it up, and the connection grew stronger as the show went on.
A great set, that showcases the breadth and quality of the material the band have performed over their near 45 years.
Whereas some of these out takes releases can be lazy and a quick and easy cash in, this is a document of the last decade and a half of one of extreme metal (and music in general in my opinion) most important bands.
Genuinely one of the most unique and talented rock bands this country has produced, it’s a pleasure to see them back and on such good form.
They have one of the most consistently strong back catalogues in the scene today, and a show which backs that up and more.
All in all, its just what you would expect from an Autopsy release, just with a few little twists and turns along the way.
Ironically, at that point there were so many different bands – not everyone had gone down the path of sounding like Darkthrone, looking like badgers and posing in the woods with sticks. It was already quite expansive back then. Anyone that was of any note sounded completely different.
I know the whole ska-punk scene is Marmite to a lot of people; but if you are on the side of loving it, then Reel Big Fish are a top live band; and behind the humour, they are a group of really talented musicians, as the brass section solos proved.