Articles by Robin Ono
There’s nothing worse than a band describing their work before hearing them talk about how they go back to their normal lives at the end of the day.
Deep in the heart of Camden Town’s infamous walks, devout masses gathered to witness and worship the sweet, ecstatic rage of amplified mayhem. . .
With every song placed in context, Ingrina’s ‘Etter Lys’ record is a sturdily built debut and a thoroughly engaging listen. Etter Lys is not to be picked apart, specifically because its main strength resides specifically in the summation of its parts, or rather in the way the parts are put together.
They Promised Us A Bright Future is a participatory experience between an artist and its listener. What you get out of They Promised Us A Bright Future will depend on how much you’re willing to actively engage with it.
Grandbrother’s set made for a perfect demonstration of live performance used to transcend music into a full-on experience.
Grandbrothers, Kelpe The Village Underground, London, 10.04.2018 Photos by Robin Ono Please do not use the photos without the photographer’s permission.
As eccentric as their work may read on paper, Yamantaka // Sonic Titan measure up to their claims and have proven themselves once more with another splendid piece of work that transcends genres.
Numan knows how to put on a good spectacle and has made sure even the modest likes of Luxemburg’s Kulturfabrik was ready to accommodate a show worthy of his stature.
Autrenoir doesn’t draw its heaviness from loudness or abrasive crashes; rather, the atmosphere on each track settles in and grows at a steady pace, like a novel that unveils it gripping narrative, page by page, word by word.
Sometimes I forget that I like death metal, but it’s nights like this one – the night you’re currently reading about – that remind me why I love death metal.
We caught up with the young artist and decided to inquire about the projects’ current direction and its possible link with the “synthwave-frenzy” he has, in spite of himself, been caught up in.
The Black Dahlia Murder, Suffocation, Decrepit Birth, Necrot, Wormwitch The Opera House, Toronto, 18.10.2017 Photos by Robin Ono Please do not use the photos without the photographer’s permission.
“Mankind is a rope tied between beast and superman – a rope over an abyss” – a thin, razor-sharp rope upon which Laibach proudly waltzes.
With ‘New Model’, the French Prince of Synth Darkness ends his escape from the ruins of a saturated, overflowing retro scene and lays the foundation for his new empire.
Cult Of Luna & Julie Christmas, Whores., Dälek Mod Club, Toronto, Canada, 22.08.2017 Photos by Robin Ono Please do not use the photos without the photographer’s permission.
An evening of otherworldly voyages, preceded by some experimental hip hop and loud, obscene noise rock.
Wordsmith, frontman, artist of the fevered soul, Tomas ‘Tompa’ Lindberg is a household name and a seemingly everlasting force to be reckoned with in the world of extreme music. Robin Ono got in touch with Tompa to find out more.
The Hirsch Effekt’s Ilja Lappin sits down with Robin Ono to talk about the talent, the language and the chaos behind the music.
Neurosis, Converge, Amenra The Danforth Music Hall, Toronto, Canada 2.08.2017 Photos by Robin Ono
Whether we’re talking about Neurosis, Converge or Amenra, time bears no mark on legacies destined to remain unmatched.
Overall, Add Violence as a standalone release sums up to a couple of great tracks, a handful of interesting ideas and a few decent yet redundant formalities, leaving this reviewer yearning for a new album as opposed to reaching for the replay button.