Dave Cooper


Hi. I’m Dave Cooper, and I’ve been on this Pale Blue Dot for around 40 years now. To some, I’m better known by my nickname of “HippyDave”, a moniker I acquired towards the end of my time at high school, due to my slight resemblance to the character Neil from “The Young Ones” (both in appearance and outlook), and the fact that there were multiple Daves in my group of friends. In 2013 I confused everyone, myself included, by cutting off my trademark long hair.

I became a music fan early in life, being still knee-high to a garden gnome when first Kate Bush and then Pink Floyd entered into my awareness in 1979: Bush’s “Wuthering Heights” single was the first record I ever bought. My love affair with Bush and Floyd continues to this day, as does my deep, abiding affection for All About Eve, who were the first band I went to see live, back in 1987. I was raised on a diet of The Beatles and Abba, so I’m a fairly omnivorous listener who finds a lot to love in every musical genre, although if I’m honest, my heart lies in rock and metal.

I’m a Management Systems Administrator for a local college by day, and I live in a fairly sleepy town in Worcestershire, with my wife Christine, our neurotic cat Maya (named for the song by The Church) and a record collection that is steadily taking over all the available storage. My other hobbies include reading (don’t get me started on sci-fi, I’ll talk your ears off), coding (having had a lifelong fascination with computers generally), amateur astronomy, amateur palaeontology, Indian food and anything remotely connected with ‘The X Files’, which remains my favourite TV show. I’ve also been known to write fiction, and in my practically non-existent free time I’ve been working to get my first novel done. I’m still nowhere near finished and I’ve been at it for bloody years, though, so it might be a good idea not to hold your breath!

Follow me on Twitter: https://twitter.com/hippydave

My infrequently updated blog: hippydave.wordpress.com

Articles by Dave Cooper

Jo Quail – Exsolve

Exsolve is a stunningly evocative and atmospheric record. With this album, Quail has taken a confident step towards a more unfettered means of expression; hopefully this charismatic, powerfully atmospheric and boldly exploratory record is indicative of even more potent music to come.

Iamthemorning – Ocean Sounds

Ocean Sounds, then, is everything that fans might have hoped for, and whole lot more besides. It seems only fitting that Iamthemorning eschew sweaty clubs or grandiose halls and find a location so suited to their sonic universe. A stunning showcase for some of the band’s best material to date, it’s also richly atmospheric, surprisingly involving, and a visual feast in its own right. Quite simply, a sensational piece of work.

The Orb – No Sounds Are Out Of Bounds

This is a compelling, hugely imaginative and strangely addictive record. A balm for the senses, a holiday from the modern world, ‘No Sounds Are Out Of Bounds’ is the perfect soundtrack to the summer of 2018 and beyond.

Interview with Silas Neptune

Silas Neptune talks to Dave Cooper about his debut album ‘The Scales Of Tahuti’, what it’s like to grow up around the Ozric Tentacles and his “odd mix” of influences.

Silas Neptune – The Scales Of Tahuti

The Gates Of Tahuti is a richly atmospheric and very welcome addition to the ever-expanding and suspiciously aromatic cloud of Ozric Tentacles-related releases, but it’s also a hugely enjoyable demonstration of Silas Neptune’s prodigious talents.

Midas Fall – Evaporate

Evaporate marks a new high water mark for the band. Quite simply, it is their best work to date: it feels more mature, and yet at the same time more adventurous, more ambitious. Emotionally draining, sonically dramatic, Evaporate is the sound of a band who have truly come of age.

Awooga – Condit

Visceral, memorable and satisfyingly dense, ‘Conduit’ is one of 2018s truly essential rock albums, a delight for riff lovers and prog fans alike.

Auri – Auri

This is a record that’s best approached without the weight of preconceptions. ‘Auri’ is softly spoken and understated almost to a fault. This record has a big heart, and its message is simple. All you have to do is listen.

Blues Pills – Lady In Gold: Live In Paris

An almost perfect showcase for their existing catalogue: either perfect consolation for missing out on seeing the band on tour or the perfect souvenir.

Godsticks – Faced With Rage

‘Faced With Rage’ is comfortably Godsticks’ most uncompromising, confident and ambitious record. Powerful, involving and emotionally satisfying, it builds on the established Godsticks sound and pushes it in new and intriguing directions.

The Pineapple Thief – Where We Stood

It’s hard to imagine how The Pineapple Thief could have made this set any more comprehensive. For now, at least, it is the last word as a record of the band’s impressive live performances, and marks the closing of another chapter in The Pineapple Thief’s biography. A great summing up of everything that is so enjoyable and cathartic about their back catalogue, ‘Where We Stood’ is a live document that serves newcomers to the band as well as it does established fans.

Mariusz Duda from Lunatic Soul

Lunatic Soul’s new album ‘Fractured’ deals with our disintegrating relationships with ourselves and each other. Dave Cooper caught up with Lunatic Soul’s lynchpin to talk about hope in the face of darkness.

Lunatic Soul – Fractured

‘Fractured’ is earthbound, yet spiritual; melancholy yet built on hope. It serves as one of Mariusz Duda’s crowning achievements to date, and may just be the boldest and most satisfying Lunatic Soul album so far.

Roger Waters – Is This The Life We Really Want?

For those who enjoy Waters’ lyrical finesse, bold imagery and the unhurried, highly emotive slow-burn of some of Pink Floyd’s less frequently sailed oceans, this is nothing less than essential.

Anathema – The Optimist

For established fans, ‘The Optimist’ is simply essential. This is a hugely atmospheric, cathartic and transformative journey to savour.

Dream Theater at the Symphony Hall, Birmingham

For the committed fan, this tour is a treat indeed; for those who want to find out what kind of alchemy has made ‘Images And Words’ – and the band that made it – so iconic and influential, it is nothing less than a masterclass in modern progressive rock.

Arch Enemy – As The Stages Burn!

‘As The Stages Burn!’ is as perfect a document of the ‘War Eternal’ tour as Arch Enemy devotees could possibly hope to see and hear, but it has greater significance even than that. It points the way forward for a reinvigorated band, and also serves as the perfect appetizer for new listeners. This is a hugely powerful performance from one of death metal’s most enduring bands, beautifully recorded, mixed and presented. Play it loud.

Steve Hackett – The Night Siren

‘The Night Siren’ is perhaps Hackett’s most openly political work from his entire five decade career: not the politics of parliament, but the politics of humanitarianism. Clearly the current dramas being enacted in countries across the globe have had a powerful impact on Hackett, and this is reflected in what feels like one of his most dynamic and powerful – and personal and emotive – records.

Metallica – Hardwired… To Self-Destruct

Metallica still know their way around a riff like few others, and the band are on excellent form. This is a hugely enjoyable album from a veteran band who clearly have their eyes set on the road ahead whilst being at peace with their illustrious past.

Maschine – Naturalis

‘Naturalis’ is the sound of a band really finding its feet; it manages to sound totally cohesive and uncontrived; Maschine have taken a huge step forward with this album. What we have here is one of the most well-wrought and imaginative progressive rock albums to be released this year.

Sirenia – Dim Days of Dolor

For all its familiarity, there’s enough here that’s new and intriguing to hold the interest of both existing fans and new listeners alike, Sirenia have proved through their longevity and sheer determination that they are not to be underestimated, and ‘Dim Days of Dolor’ is ample proof that they’ve still got plenty to say.

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