Articles by Gary Davidson
Another solid album of catchy doom rock from a truly unique band with a few darker twists on album number five.
This sludged up post-everything tour de force is a high point not only for the band but for all those who engage.
Cave In dawn the spacesuits once more and go on a new spacial journey whilst dealing with the loss of a brother.
Losing their vocalist and focal point seemed like it may have been the end, but Ba’al have come back stronger and darker and made the transition seem so simple.
If you like Cult of Luna you will find something here to enjoy. Crushing Swedish post-metal with licks of electronic haze and sludge.
Atmospheric blackened crust that has moments of calm that falsely lull you before roaring away again.
Post-metal at its most unique and finest. Latitudes’ fourth album is glorious with a luscious sound that pounds you and embraces you in equal measures.
A gloomy adventure with the sophomore effort from France’s finest post-metal sludge band which doesn’t fail to deliver after a blistering debut.
A blend of misery and release in the form of sludgy post-metal with licks of doom and ambience sees Sonance create their best release yet.
This cracking blend of post-metal and post-hardcore from Mollorca shows that living in a warm climate doesn’t necessarily make you worry free.
The soundtrack to modern day distopia. A putrid doom tinged post-metal take on the current social and political landscape which gives no escape.
After a four year gap since their debut, Bast delivers another album of neck achingly catchy blackened doom.
Existing fans will love this. If you are not familiar then you really need to dip a toe in the festering waters of Victorian England, may the lord have mercy.
A very ambitious project covering 19 songs of apocalyptic post-metal. It might not knock ISIS off top stop in favourite album lists but deserves a place as a genre reference point for the scale and quality of its accomplishment.
A whirlwind of blackened hardcore that batters more than it seems possible for only having two members.
3/4 of Agalloch have swallowed up the front-man from Giant Squid and produce one of the finest progressive rock/metal albums of the year.
From the go ‘World’s Blood’ takes you on an adventure, imagine Little House On The Prairie through a black metal filter and you start to get on the right path.
This isn’t generic post-rock served to you on a platter, it makes you think to find its true beauty.
Raum Kingdom has offered up a real meaty post-metal effort which is another contender for the end of year lists.
This is the new soundtrack to your bad times, it is heavy, dark and dripping with passion.
‘Breaching’ is stunning and leaves no doubt that Hundred Year Old Man is one of the best post-metal bands around.