leaving meaning. is one of this year’s most essential listens.
Mizmor really has created a perfect hybrid here, though, and Cairn should be applauded across the underground metal community. I have no doubt it will be. It’s astonishing. Truly astonishing. Required listening by all.
Margaret Chardiet returns at her most terrifyingly visceral. Devour is a truly awesome piece of art – involving, entrancing, thrilling, thoughtful, and terribly uncomfortably human.
Transmission is the most fulfilling Darsombra release in their impressive catalogue.
For those who like their heavy music genre-blind and forward thinking, this one’s for you.
Erdve might just be my latest crush because ‘Vaitojimas’ is so utterly crushing.
Phantom Winter are an incredibly talented band, and ‘Into Black Science’ is a solid album, let me be clear. However, Phantom Winter’s third album doesn’t build on their previous promise.
‘Corpse Fortress’ is an absolute triumph for Ilsa. It’s required listening in 2018 for anybody who claims to like sludge and doom. You’re not going to find too many better examples of it this year.
WITTR regain their crown as black metal visionaries.
Despite touring with incredible artists . . . and having had albums out on code666, Important and Candlelight Records, Vampillia continue to allude most ears, it seems. If this is you, finish this review and then get hunting some streams online. . . The band were simply staggeringly good.
A reluctant icon returns.
This is easily one of the best split releases of 2017, with two bands at the pinnacle of their abilities.
The epitome of what a fun gig can be. . .
Like those genius chefs of high gastronomy who pair two ingredients that on paper should not work, and yet produce perfection on a plate that has clarity yet depth, the split between Sutekh Hexen and Hissing contrasts but ultimately complements one another to form an essential piece of vinyl.
‘Cutting Pieces’ is an unruly listen, and morphs and mutates out of your peripheral view.
There are so many layers to each track, each riff; yet also a beguiling simplicity. It’s hard to communicate, and it’s the mark of true artistry – to write creatively but without clutter, to capture a moment.
A band on top of their own world, and of ours.
A shining beacon of what post-metal can be in 2017.
On the day London turns orange, Chris Keith Wright proclaim Unsane the kings of the blood sun. . .
‘Endinghent’ is barbarous, callous dissonant and inhuman: an almost perfect death metal gospel.
With Infidèle(s) Celeste have cemented themselves as one of the best heavy bands in the world. Domination awaits.