Articles by Chad Murray
Clinomania is an album that lives up to its name; whether blissfully killing a Sunday chilling bed, totally wired in the bunk with friends or paralysed with dread chained to the furniture, this album chose a befitting sobriquet to unveil to us some of the brilliance of Wound.
‘Dear’ feels like the crushing weight of the amassed fathoms of the ocean collapsing onto the listener. It’s diverse but, it is also ceaselessly oppressive and relentlessly intense. Boris always deliver, they never fail to disappoint not in twenty five fucking years!
Don’t get into this thinking it’s all badger brains and lullabies, ‘cause it’s not.
Raw Power 2017 was incredible. I’ve never been to a festival before where every band was good, where everything ran to a good schedule, and where everything seemed to go smoothly. The line-up was flawless and the delivery was sublime. Thank you, Baba Yaga’s Hut.
I feel like I’ll never tire of Her Name is Calla, they’re a band I could and likely will see dozens of times.
Temple ov BBV is a savage collaborative effort that conjures the overwhelming disillusion, paranoia and dread washing over the UK as we remain buried from years of reptilian politics.
The Body are one of the best acts in music today and if they’re in your neck of the woods do yourself a favour and wash your mind away with a calming shore of noise so heavy that it’ll rupture your consciousness into a meditative powder of sleeping fragments.
‘Shame Spiral’ is a relentless burst of enmity and abrasion cascading fury in all directions. All that’s left is noise, USA Nails are pissed off and that’s something we can all relate to right now.
Oxbow + SUMAC was just another example of a fucking brilliant show put on by fucking brilliant bands for a fucking brilliant promotion.
Chaos out of sorts with normality, celebrating disorder and rebellion…and something sublimely distanced from this version of reality.
“I stepped out of Bo Ningen playing this huge, sprawling instrumental and walked round the building still listening; through the other side and it was still going, I got back through to the other side of the venue and there was like another three to five minutes of seemingly improvised chaos.” Chad Murray reports back from the first Wrong Fest in Liverpool.
Some of the most eclectic and fucked-up music the label has put out to date. It’s a really nice album to listen to.
A futuristic version of Dante’s Inferno in which every circle of Hell is a bleak, technological meltdown.
Raw Power is on it’s way; if you’re missing it you better have a fucking good reason, otherwise you’ll regret it. Maybe not today, maybe not tomorrow but soon and for the rest of your life.
“Gnod are the most essential band in Britain; it shows in everything they do but, I assure you, watching them live is an impeccable and unpredictable experience”.
Chad Murray caught up with Part Chimp, who released their most excellent album ‘IV’ through Rock Action Records recently. “What the fuck IS going to happen??! We just don’t know”.
Flowers Must Die live up to their reputation with this fine first full-length offering for Record Recordings. A crucial component in Rocket’s already landmark year of releases.
I’m coming back to Liverpool from the big smoke for one weekend in April and here’s why:
Kungens Män offer another bold, transcendent gem into the Eggs in Aspic arsenal in this bold, vision quest of an album.
I can only really compare them to the likes of Bowie and Nine Inch Nails, they’re a band on a complete different level to any other in this underground music scene.
The second EP from seventeen year-old axe prodigy, Flicker Rate sees an evolution in style, sound and substance, whilst offering a brief glimpse into future offerings.