Articles by Chad Murray
“People are really clever when things are left with empty spaces to fill in” – Shalin.
“I always appreciate an artist more when I know he does a lot by himself and also it helps you understand the mind of that artist better”
“Our sound has changed quite a lot since we started, it’s always been about making the most noise from two people but before it was a lot more punk influenced.”
That’s the kind of relentless, punishing, takes no prisoners music I want to hear.
“the band that would perform at the warehouse rave in hell”.
The Bestial Light has to be one of the most brilliantly deranged pieces of music I’ve ever heard.
Flower Violence is a relentless debut for what is clearly a very formidable new band, I look forward to seeing Blóm experiment with their sound in their next release and in their live performances.
Knifedoutofexistence churns out albums of noise like hot dinners and still manages to cut to my core as though it was second nature.
This album is fucking repulsive and I love it.
“There’s an engrossing level of intrigue that will lend itself to many further listens and a more than ample level of riffage for me to blast tracks such as the climatic ‘Φυλαχτό’ on repeat”
I dare say they’re even more formidable on this record because you can hear exactly what they’re beating you around the skull with.
Ten years of face-melters, jazz odysseys and genre-defying avant-garde exhibitions later, the legend that is Kunal Singhal is preparing another all-day spectacular featuring some of his most enthralling bookings to date. Ahead of the Chaos Theory Festi …
Cracks Below The Surface is an excellent noise album that dead-eyed commuters and nocturnal voidlings will surely enjoy as a satisfying aid to a cerebral black hole.
The thing about Gnoomes though is that, as a band, they’re a uniquely melon-twisting experience. They’re equally as psychedelic and narcotic as the rest of Rocket Recording’s roster and yet, they sound like none of the other bands.
Animal Choir is a masterpiece and should be considered a foremost contender for everyone’s album of the year and beyond.
It’s not a supergroup, it’s a heritage, it’s like a proverbial mount rushmore for the psyche scene us fresh faced lysergic twits thought had just sprung from the ground like mushrooms from a spore kit.
” It feels like the band is jamming my face in a paper shredder and I’m weirdly into it. It certainly makes it seem as though the slow burn was worth the wait”.
“When you want to make something that depends on extreme emotions, make sure you really feel something and that you’re not just too afraid to turn a magnifying glass on yourself because people will know. Soft Issues are the real deal”.
“This record almost seems to renounce itself, what is the point of the individual songs? Sly and The Family Drone focus on the immediate and spontaneous, they’re a band well-known for handing out instruments to the audience to play wild and spontaneous improvised sets. It makes me wonder if this album is almost a critique of the demand for a recorded artefact from a band so, renowned for what they do in the now”.
I think on a simple level the band has crafted a cohesive, facemelter of an album that takes the listener through a variety of styles and directions.
“This gig was a fucking a dream come true”