Matt Butler


Motörhead changed my life. Then the Ramones did. And Guitar Wolf. Public Image Ltd probably did as well. Then there was NoFX… and Henry Rollins. And Kyuss. Maybe even Monolord.

Come to think of it, Elvis and the Beach Boys probably changed my life as well, as I listened to them as a child (thanks mum and dad) and still harbour a desire for the former artist’s leathers and the latters’ garish Aloha shirts.

All right, I will admit it: every new thing I hear gives me something – even if it is just nausea. And it is this that keeps me looking. One day I might even find something as life-changing as Ace of Spades was all those moons ago.

Even  if I don’t, the exploring is still fun.

Oh, almost forgot. I am a Kiwi, I like long walks (well, runs), socialising (whisky), good food (chocolate and pork scratchings) and cosy nights in (doom metal by candlelight). And I am a Pisces. In my day job I write about people in shorts.

Articles by Matt Butler

Monolord – No Comfort

Monolord have outdone themselves here. They stand in mirrored sunglasses, flared jeans and Satanic Feminist T-shirts astride the roof of the doom world.

The Utopia Strong – S/T

Turns out Steve Davis is not only good at snooker. He and his two collaborators Kavus Torabi and Michael York got together to jam and the result is a woozy, cosmic testament to the benefits of spontaneity.

Beastwars – IV

When music crafted this well is paired with heart-on-sleeve reflections of a man contemplating his own mortality… well, then we have some magic.

War Curse – Eradication

Name me a fan of heavy music over 35 that hasn’t drank more than necessary while listening to Anthrax’s Persistence of Time. War Curse rekindle the joy from that golden age of thrash.

Bismuth – The Eternal Marshes (Review + Premiere)

Premiere of a huge, slow, affecting song, originally recorded in 2012, from cerebral drone doom duo.

Aehpanemer – Prokopton

Aephanemer, with their rousing, upbeat take on melodic death metal, remind you of just how much fun this stuff can be

Astronoid – Astronoid

The combination of gorgeous, dreamy melody, angelic vocals, mammoth guitar hooks and a heavy, heavy rhythm section drags out of your core a sense of nostalgia or longing so strong that it almost hurts.

Desecravity – Anathema

Desecravity do technical death metal as it should be done: dizzyingly, quickly, furiously – but with the musicianship and songwriting to make it monstrously heavy and yet still listenable.

Bismuth – The Slow Dying of the Great Barrier Reef

It is difficult to know where to start with a body of work as intimidating and weighty (not to mention heavy) as this. It is phenomenally affecting and the title alone makes the listener think about the gradual destruction that humans are inflicting on the earth.

Marius Danielsen – Legend of Valley Doom Part II

You hear these epic, operatic choruses and you swear that you can flex your magically enormous biceps and real lightning will actually shoot out of your fingertips.

Ohhms – Exist

OHHMS are are like nothing on earth; huge, unnerving and loud. But this album, with biting, powerful lyrics concerned with animal rights, is a triumph.

Soulfly – Ritual

A refreshed, revitalised Soulfly give the people what they want in Max Cavalera’s best release in ages.

Domkraft – Flood

An album of riffs which are massive and majestic, at once conjuring mental images of barren space-scapes and a big-sky desert wilderness.

Various – The Wall [Redux]

In these times of deep division between the entitled and the rest of us, of walls growing between races, genders, neighbourhoods and nations, this fantastic version of Pink Floyd’s classic encapsulates people’s fears and anger.

All Them Witches – ATW

It is worrying when a band say they want to confound expectations. But after All Them Witches’ sprawling previous album, this is probably a natural reaction for the band – to dial things back a little.

Krisiun – Scourge of the Enthroned

Krisiun are back to their blisteringly fast signature sound and it is a good thing.

Morne – To The Night Unknown

The gargantuan riffs, the cavernous drums, the ominous tone of the guitar and bass – not to mention the dry rasp of the vocals – send this album way past brooding, miles on from sullen, beyond malevolent and to the border of bloody terrifying.

Forming The Void – Rift

Like riffs? Melody? Albums with a mammoth on the cover? You’re in luck. This strikes a perfect balance between heavy and crowd-pleasingly melodic.

Birds In Row – We Already Lost the World

This is great. From the visceral thump that introduces the opening track to the barrage of the final number, it is a heartfelt, if occasionally bleak, listen.

Nopes – Stapler

The ideal soundtrack to toasting life’s little triumphs… like getting out of the house, making a decent coffee and refraining from calling the boss an arrogant dickhead.

Low Hums – Night Magic Wine

Drenched in shimmering riffs from the 1960s and full of enthusiasm, this is a record for listening to while driving on the coast in the sun.

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