Phos is an eerie, disquieting soundtrack to the loss of tangible hope.
Drouth’s sophomore LP may not serve as the breakthrough it intends to be, but nonetheless it remains an enjoyable, solid album.
‘Alphaville’ builds upon the trio’s previous work, showcasing a band at the peak of their powers.
Despite a slow start, Bedsore make good on the promise of their acclaimed demo.
Unencumbered from the rigours of composition, ‘Black Rain (I)’ feels like a joyous experiment.
Moving and melodic, Inexorum provide a ray of hope through troubled times.
Supergroup’s approach to contemporary death metal leaves a bitter taste.
Abscess Time is exception and serves as another reminder of what makes Pyrrhon so special.
Vile Creature forge a new sound and showcase a bold, positive path for the future of doom metal.
Another incredible 2020 addition to contemporary death metal’s ongoing explosive revival.
Living Gate climb over the corpses of their peers.
Dream Squasher is yet another fantastic addition to the band’s already significant discography and further cements -(16)-’s pedigree as one of the best sludge bands on the planet right now.
Plow is a thrilling introduction and Tarmak are definitely a band to keep tabs on, once again proving Ghent to be fertile ground for all things heavy and fuzzy.
leaving meaning. is one of this year’s most essential listens.
Mizmor really has created a perfect hybrid here, though, and Cairn should be applauded across the underground metal community. I have no doubt it will be. It’s astonishing. Truly astonishing. Required listening by all.
Margaret Chardiet returns at her most terrifyingly visceral. Devour is a truly awesome piece of art – involving, entrancing, thrilling, thoughtful, and terribly uncomfortably human.
Transmission is the most fulfilling Darsombra release in their impressive catalogue.
For those who like their heavy music genre-blind and forward thinking, this one’s for you.
Erdve might just be my latest crush because ‘Vaitojimas’ is so utterly crushing.
Phantom Winter are an incredibly talented band, and ‘Into Black Science’ is a solid album, let me be clear. However, Phantom Winter’s third album doesn’t build on their previous promise.
‘Corpse Fortress’ is an absolute triumph for Ilsa. It’s required listening in 2018 for anybody who claims to like sludge and doom. You’re not going to find too many better examples of it this year.